Horvat’s work for Elle, Vogue and Harper’s Bazaar, both in Europe and the US, saw him heralded as an emerging figure of note. But he also fell out with Cartier-Bresson, who slated his work as pastiche. Here: Simone D’Aillencourt with designer Hardy Amies (for British Vogue), 1961. (Photo by Frank Horvat/The Guardian)
|