In this November 2, 2018 photo, a voodoo believer who is supposed to be possessed with Gede spirit performs rituals near Baron Samedi's tomb during the annual Voodoo festival Fete Gede at Cite Soleil Cemetery in Port-au-Prince, Haiti. As a proof that they got into trance and their bodies got possessed by Gedes, they drink and wash their faces, their eyes and even their genitals with a mixture of raw rum and hot chili peppers that, according to believers, could burn the skin of any human alive. (Photo by Dieu Nalio Chery/AP Photo)

A decorated human skull or “natitas”, sits on a blanket inside the Cementerio General chapel, during the Natitas Festival celebrations, in La Paz, Bolivia, Tuesday, November 8, 2016. The “natitas” are cared for and decorated by faithful who use them as amulets believing they serve as protection, the tradition marks the end of the Catholic All Saints holiday, but is not recognized by the Catholic church. (Photo by Juan Karita/AP Photo)

A competitor looses control of his pancake while racing during the Shrove Tuesday, or Mardi Gras, tradition at the National Cathedral February 21, 2012 in Washington, DC. (Photo by Chip Somodevilla/Getty Images)

A conductor (C) collects fares from candy floss sellers as they travel in a tram to a marketplace early morning in Kolkata, India, December 23, 2015. (Photo by Rupak De Chowdhuri/Reuters)

A relative (L) of Champa Devi, 88, sits next to her body, minutes after her death at Mukti Bhavan (Salvation House) at Varanasi, in the northern Indian state of Uttar Pradesh, June 21, 2014. The city of Varanasi, on the banks of the River Ganges, is widely considered Hinduism's holiest city and many Hindus believe that dying there and having their remains scattered in the Ganges allows their soul to escape a cycle of death and rebirth, attaining “moksha” or salvation. “Mukti Bhavan” or “Salvation House”, is a charity-run hostel that caters for people who wish to come to Varanasi to die. Guests can normally stay up to two weeks after which, if they haven't yet passed away, they are gently asked to leave. (Photo by Danish Siddiqui/Reuters)

In this July 24, 2016 photo, a pilgrim takes a bath in a sacred mud pool during the annual Voodoo celebration in Plaine-du-Nord, Haiti, Saturday, July 23, 2016. Pilgrims come to bathe in the mud and make offerings expecting a miracle. (Photo by Dieu Nalio Chery/AP Photo)

A cosplayer dressed as a “remote worker” with “corporate slave” written on his glasses poses for a photo on New Year's Eve at Comiket, the largest comic market that had been postponed for two years because of the coronavirus disease (COVID-19) pandemic, in Tokyo, Japan December 31, 2021. (Photo by Androniki Christodoulou/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.