American singer, songwriter, dancer, record producer, actress and model Tinashe is seen on July 23, 2018 in Los Angeles, California. (Photo by gotpap/Bauer-Griffin/GC Images)

A Rohingya refugee child with thanaka paste is seen in Cox's Bazar, Bangladesh, July 4, 2018. (Photo by Mohammad Ponir Hossain/Reuters)

South Korean singer CL performs during the closing ceremony of the 2018 Winter Olympics in Pyeongchang, South Korea, Sunday, February 25, 2018, after 17 days of hard- fought competition. Olympic fire went out. (Photo by Natacha Pisarenko/AP Photo)

Kendall Jenner attends the 2018 Vanity Fair Oscar Party following the 90th Academy Awards at The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California, on March 4, 2018. (Photo by Splash News and Pictures)

A model walks the runway during the Vivienne Westwood show as part of the Paris Fashion Week Womenswear Fall/Winter 2018/2019 on March 3, 2018 in Paris, France. (Photo by Patrick Kovarik/WireImage)

An indigenous girl carries a monkey inside her house in their village at Xingu national park in Mato Grosso, Brazil, October 2, 2015. The Kamayura tribe consists of around 300 people, and is one of the 16 ethnic groups living in the indigenous Xingu national park. (Photo by Paulo Whitaker/Reuters)

To mark the occasion of International Women' s Day on March 8, 2018 AFP presents a series of photos depicting women performing roles or working in professions more traditionally held by men. Here: Professional wrestler Cristal (Crystal) poses for a photograph in her trainig place on February 09, 2018 in Mexico city, Mexico. (Photo by Omar Torres/AFP Photo)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)