An Egyptian actress working at the Pharaonic Village simulates ancient agriculture scenes during a show marking Sham el-Nessim, or “smelling the breeze”, in Giza, Egypt, Monday, April 13, 2015. The holiday signifies the arrival of Spring, a uniquely Egyptian tradition practiced since the days of the Pharaohs. (Photo by Amr Nabil/AP Photo)

An Indian nomadic Gujjar girl hangs on to a horse cart after collecting bricks from debris on the outskirts of Jammu, India, Tuesday, March 7, 2017. The Gujjar tribal communities are considered by some to be economically and socially backward and the lack of care by the state government has led to resentment amongst the community. The tribe moves to the plains from the hills to escape the cold winters. (Photo by Channi Anand/AP Photo)

A mouse rides on the back of a frog in floodwaters in the northern Indian city Lucknow June 30, 2006. (Photo by Pawan Kumar/Reuters)

A horse grazes on railway tracks near the old train station on the the Northeast railroad (Ferrovia do Nordeste) in the city of Missao Velha, Ceara state, northeastern Brazil, October 25, 2016. (Photo by Ueslei Marcelino/Reuters)

Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)

UEFA staff member carry away the trophy from the pitch prior the UEFA Champions League semi-final football match between Leipzig and Paris Saint-Germain at the Luz stadium in Lisbon on August 18, 2020. (Photo by David Ramos/Pool via AFP Photo)

An Afghan woman carries bread on a tray, along a street in Kabul on January 3, 2023. (Photo by Wakil Kohsar/AFP Photo)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)