A girls’ Friday night out on the town, in Bristol, England, 2009. As in most big cities in the UK, around the weekend you see women with very minimal clothing on, wandering around regardless of the temperature. (Photo by Martin Parr/Magnum Photos)

Revellers brave the rain as they make the most of New Year's Eve in Liverpool city centre, UK on December 31, 2024. (Photo by Ioannis Alexopoulos/London News Pictures)

Kim Goodman, from Chicago, Illinois, US, holds the record for the farthest eyeball protrusion, at 12mm. (Photo by Paul Michael Hughes/Guinness World Records/PA Wire Press Association)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

Combat between two male stag beetles, Italy, 2022. During the mating season, male stag beetles (Lucanus cervus) go into a frenzy, with lively but harmless clashes, in which bigger males often have the advantage over smaller ones due to their impressive mandibles. Longer larval development and genetic traits can increase the size of some individuals, but all saproxylic beetles are threatened by poor forest management, logging and dead wood removal to “clean” the forest. (Photo by Iacopo Nerozzi)

English actress’ Shirley Eaton’s performance in Goldfinger in 1964 made her the ultimate sеx symbol. (Photo by Kobal Collection/Rex Features)

Cuban-Spanish actress Ana de Armas, who played Cuban secret agent Paloma in 2021’s “No Time to Die”. (Photo by Sportsphoto Ltd./Allstar)

«Female Boxers», 2024. Julia Fullerton-Batten is a fine art photographer renowned for her cinematic visual storytelling. Her large-scale projects are based around specific themes, each image embellishing her subject matter in a series of thought-provoking “stories” using staged tableaux and sophisticated lighting techniques. (Photo by Julia Fullerton-Batten)