The Al-Gaffal is an annual long-distance race between crews sailing 60-ft. traditional wooden boats called dhows and takes place in the Persian Gulf, between the island of Sir Bu Nair, near the Iranian coast and the Gulf emirate of Dubai. Photo: Traditional wooden boats, or dhows, compete at sunrise during the Al Gaffal race, a long-distance dhow sailing race, near Sir Bu Nuayr, near Sharjah May 18, 2014. (Photo by Martin Dokoupil/Reuters)

Competitors release their hens during the World Championship Hen Racing Championships in Bonsall, Britain August 1, 2015. (Photo by Darren Staples/Reuters)

Competitors ride a home-made vehicle without an engine on a downhill track in the Red Bull Soapbox Race in Santiago, Chile, November 27, 2016. (Photo by Jonathan Faus/Reuters)

A member of Team Chez Victor falls in the water while competing during the Ice Canoe race at the Quebec Winter Carnival in Quebec City, February 5, 2017. (Photo by Mathieu Belanger/Reuters)

In this Saturday, April 8, 2017 photo, a keeper walks camels to the Al Marmoom Camel Racetrack, in al-Lisaili about 40 km (25 miles) southeast of Dubai, United Arab Emirates. Camel racing is a big-money sport and fast thoroughbreds can fetch well over a million dollars. As rising temperatures across Gulf Arab countries signal the end of the winter camel racing season, Dubai is wrapping up its races with the annual Al Marmoom Heritage Festival that has drawn thousands of camels from across the oil-rich Gulf. (Photo by Kamran Jebreili/AP Photo)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.