Children stand in a boat at the banks of the polluted Yamuna River during a dust haze as they wait to give a ride to worshippers in New Delhi during World Environment Day June 5, 2010. (Photo by Reinhard Krause/Reuters)

Bison along the Bitterroot Valley's Eastside Highway north of Stevensville, Montana, are covered in snow following a blizzard on November 23, 2010. (Photo by Perry Backus/The Missoulian)

The Komodo dragon (Varanus komodoensis) was the most popular species overall based on English language Wikipedia page views. It is the world’s largest lizard, living on the islands of Komodo, Rinca and other smaller islands, and on Flores island in Indonesia. (Photo by Eric Nathan/Alamy)

Space Shuttle Discovery is towed from the shuttle landing facility to the orbiter processing facility at Kennedy Space Center on April 20, 2010 in Cape Canaveral, Florida. Discovery's landing attempts at KSC were scrubbed yesterday due to unacceptable weather conditions. Discovery is returning from a successful mission to the International Space Station. (Photo by Matt Stroshane/Getty Images). CAPE CANAVERAL, FL – APRIL 20 2010

A gallery assistant for Sotheby's auction house admires a melchior of Chateau Cheval Blanc 2006 on February 12, 2010 in London, England. The melchior sized bottle, which is 18 litres in volume, is to be sold in Sotheby's sale of “Finest and Rarest Wines & Vintage Port” on February 17, 2010 in London and is expected to fetch up to 4,800 GBP. (Photo by Oli Scarff/Getty Images)

“Bodies in urban spaces” is a temporarily intervention in diversified urban architectonical environment. The intention of “bodies in urban spaces” is to point out the urban functional structure and to uncover the restricted movement possibilities and behavior as well as rules and limitations. Photo: “Bodies in Urban Spaces”, September 26, 2010. (Photos by Andrew Russeth)

The space shuttle Atlantis lifts off from launch pad 39A at the Kennedy Space Center in Cape Canaveral, Florida May 14, 2010. (Photo by Pierre Ducharme/Reuters)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.