A woman carries earthen pots to fill them with drinking water on a hot summer day, on the outskirts of Ajmer, Rajasthan, India April 25, 2017. (Photo by Himanshu Sharma/Reuters)

People enjoy the beach as they look at a forest fire in La Croix-Valmer, near Saint-Tropez, on July 25, 2017. Firefighters battle blazes that have consumed swathes of land in southeastern France for a second day, with one inferno out of control near the chic resort of Saint-Tropez, emergency services say. (Photo by Valery Hache/AFP Photo)

Revellers battle with tomato pulp during the annual “Tomatina” (tomato fight) festival in Bunol near Valencia, Spain, August 31, 2016. (Photo by Heino Kalis/Reuters)

Festival goers pose for photographers on the third day of Glastonbury Festival at Worthy Farm, Somerset, England, Friday, June 28, 2019. Temperatures are expected to soar over the weekend as a heatwave hits parts of Europe, while the festival runs for five days and is one of the largest events of its kind in the world. (Photo by Joel C. Ryan/Invision/AP Photo)

Pallas' s cat kittens with theit mother in an enclosure at the Novosibirsk Zoo, Novosibirsk, Russia on July 11, 2018. Pallas' s cat, also known as manul, is a small wild cat native to montane steppes of the Central Asia and listed as an endangered species. (Photo by Kirill Kukhmar/TASS)

In this Saturday, July 14, 2018, file photo, waves caused by high tide envelops a man standing outside his house near the Arabian Sea in Mumbai, India. The man was washed away by the wave and rescued by locals about 100 meters away from the spot. (Photo by Rajanish Kakade/AP Photo)

A man carries a sheep after it was rescued from mud in Sanliurfa, Turkey on January 9, 2019. Total of 67 sheep and a donkey rescued from mud by gendarmerie forces, firefighters and local people in Sanliurfa's Bozova district. (Photo by Halil Fidan/Anadolu Agency/Getty Images)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)