Mira Saville, 11, spins in her petticoat on the sand at the Nashuva Spiritual Community Jewish New Year celebration on Venice Beach in Los Angeles, California, United States September 14, 2015. As Jews take part in the Tashlich prayer, a Rosh Hashanah ritual, bread crumbs are tossed into the waters to symbolically cast away sins. (Photo by Lucy Nicholson/Reuters)

In this Saturday, March 21, 2015 photo, a porter rests carrying supplies for the upcoming climbing season, near the Everest Base camp, Nepal. Nepal has cleared more than 300 mountaineers to climb Mount Everest after they had to abandon last year's efforts when an ice avalanche killed 16 guides in the mountain's deadliest disaster, an official said on March 20. The three-month climbing season for Everest, the world's tallest mountain, begins in March. (Photo by Tashi Sherpa/AP Photo)

Workers attach 288 new Waterford Crystal Triangles on the 2012 Times Square New Year's Eve Ball at One Times Square on December 27, 2011 in New York City. (Photo by Jason Kempin/Getty Images)

A family dressed in traditional chinese clothes celebrates the Chinese New Year in Chinatown in Bangkok, Thailand February 8, 2016. (Photo by Jorge Silva/Reuters)

Revellers enjoy themselves during Hogmanay celebrations in Edinburgh, Scotland on December 31, 2017. (Photo by Russell Cheyne/Reuters)

In this April 28, 2015 file photo, heads of tuna on a cart are carried by a fish dealer after the day's auction at Tsukiji Wholesale Market in Tokyo. In one of the biggest of Japan's many New Year holiday rituals, early on Tuesday, January 5, 2016, Tokyo's Tsukiji market will auction off with much fanfare a huge, glistening tuna, likely destined for one of the big sushi chains. If all goes as planned, it will be the last such auction at 80-year-old Tsukiji. (Photo by Shuji Kajiyama/AP Photo)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.