Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture moves closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to it its six petals. Weighs eighteen tons and is 23 meters high.

Candybar Carpet was commissioned by Slokdarm festival, Veghel, The Netherlands. And was exhibited in the old CHV factory just outside the city.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.

Sculptor Ben Young (previously) just unveiled a collection of new glass sculptures prior to the Sculpture Objects Functional Art + Design (SOFA) Fair in Chicago next month. Young works with laminated clear float glass atop cast concrete bases to create cross-section views of ocean waves that look somewhat like patterns in topographical charts. The self-taught artist is currently based in Sydney but was raised in Waihi Beach, New Zealand, where the local landscape and surroundings greatly inspired his art.

A man is seen trapped amid the debris of an under-construction flyover after it collapsed in Kolkata, India, March 31, 2016. Using saws, small cranes and bare hands, rescuers on Friday cleared the crumbled concrete and twisted steel from an overpass that collapsed onto a crowded Kolkata neighborhood, killing at least 23 people and injuring more than 80. With more than half the debris cleared by Friday morning, 67 people have been pulled out alive, police said. (Photo by Rupak De Chowdhuri/Reuters)

A worker at the Jabal Saraj cement factory poses for a photograph in Jabal Saraj, north of Kabul, Afghanistan April 19, 2016. In an area desperately short of industry and jobs, local workers hope that the relaunch of the plant in Jabal Saraj, built by Czech engineers in 1957 and closed down by the Taliban in 1995, can show that Afghanistan's shattered industry can climb back to its feet after decades of war and destruction. But the outdated state-owned plant some 75 kilometres outside Kabul also shows how far it has to go before that promise can be achieved and there are serious questions over whether it has a viable future unless a new, modern facility is built to replace it. (Photo by Ahmad Masood/Reuters)

A dog at the Zoozashchita-NN veterinary clinic in Nizhny Novgorod, Russia on February 19, 2021. On February 13, 13 stray dogs with bright blue fur were found and caught at the Dzerzhinskoye Steklo (Dzerzhinsk Glass) factory producing acrylic glass and prussic acid in the city of Dzerzhinsk. The dogs' fur tested positive for the Prussian blue pigment; now the dogs are under supervision at the Zoozashchita-NN vet clinic in Nizhny Novgorod. (Photo by Mikhail Solunin/TASS)