Children play in an outdoor shower as a soldier takes part in a surprise operation in the Manguinhos slum in Rio de Janeiro, Brazil, Thursday, January 18, 2018. Troops have been sent to Rio due to the increase of the violence, and in an attempt to help restore order, but so far have had little impact. The operation on Thursday took place three weeks ahead of Carnival, when thousands of tourists are expected to arrive in the city. (Photo by Leo Correa/AP Photo)

Samburu tribesmen stand during the Maralal Camel Derby, Kenya, August 15, 2015. Maralal, a small, arid town about an eight-hour drive north of the Kenyan capital Nairobi, holds an annual camel festival, bringing together members of the Samburu, Turkana and Pokot semi-nomadic cattle-herding tribes. (Photo by Goran Tomasevic/Reuters)

A model gets final adjustments back stage before participating in a plus size fashion show in Nairobi, Kenya, October 7, 2017. (Photo by Baz Ratner/Reuters)

A double rainbow is seen above a woman holding an umbrella and selling snacks along the road in Siaya county, Kenya on May 3, 2020. (Photo by Thomas Mukoya/Reuters)

A protester reacts as riot police officers detain him during anti-government demonstrations following nationwide deadly riots over tax hikes, in Nairobi, Kenya, on July 23, 2024. (Photo by Monicah Mwangi/Reuters)

Untitled. (Photo by Artem Nadyozhin)


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Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)