Federico Babina illustrates the imaginary architecture of movie director-designed homes
all images courtesy of Federico Babina.

“Brooke Christa Shields (born May 31, 1965) is an American actress, author and model. Some of her better-known movies include Pretty Baby and The Blue Lagoon, as well as TV shows such as Suddenly Susan, That '70s Show and Lipstick Jungle”.

Shortlisted: “Two big eyes” by Miao Yong (Zejiang province, China). Damselflies look over the leaves. “I was photographing insects in a park near my home when suddenly I found two damselflies in the grass. They kept flying and it was very difficult to focus until suddenly they parked behind a leaf”. (Photo by Miao Yong/2017 Royal Society of Biology Photographer of the Year)

In this two photo combination picture, the Eiffel Tower with its usual lighting at left, and after the lighting was switched off at right, at the occasion of the Earth Hour, in Paris, France, Saturday March 28, 2015. This Saturday, 28 March 8:30 p.m. local time, individuals, businesses, cities and landmarks around the world are switching off their lights for one hour to focus attention on climate change. (Photo by Remy de la Mauviniere/AP Photo)

Actress Violet McGraw, who played Cady in the film M3GAN, attends CinemaCon 2025 – Universal Pictures and Focus Features Invites You to a Special Presentation Featuring Footage from its Upcoming Slate at The Colosseum at Caesars Palace during CinemaCon, the official convention of Cinema United, on April 2, 2025, in Las Vegas, Nevada. (Photo by Alberto E. Rodriguez/Getty Images for CinemaCon)

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.