Girls make a heart sign as the sun sets over the Mediterranean Sea coastline in Beirut, Lebanon, Friday, July 14, 2023. (Photo by Hassan Ammar/AP Photo)

Rev. Yeon Ah Lee Moon of the Sanctuary Church holds a gold AR-15 during a ceremony to rededicate marriages at the World Peace and Unification Sanctuary in Newfoundland, Pennsylvania, USA, 28 February 2018. The church, a breakaway from the Unification Church, believes guns are a symbol of the “rod of iron” referenced in the Book of Revelations. (Photo by Jim Lo Scalzo/EPA/EFE)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

A general view of dried-up rivers in the Pilbara region of Western Australia December 2, 2013. Western Australia's Pilbara region, which is the size of Spain, has the world's largest known deposits of iron ore and supplies nearly 45 percent of global trade in the mineral. (Photo by David Gray/Reuters)

Clet Abraham, 46 years old, is a plastic artistic that is transforming the traffic signs in something with an intelligent lecture, with a political, religious and philosophic understanding.

Models dressed as showgirls participates in a fashion show in front of the Welcome to Fabulous Las Vegas sign on the Las Vegas Strip to kick off the pro-mask wearing campaign “Mask Up for Nevada” put on by Experience Strategy Associates amid the spread of the coronavirus on June 25, 2020 in Las Vegas, Nevada. On Wednesday, Nevada Gov. Steve Sisolak signed a directive requiring people to wear face coverings in public places throughout the state beginning on June 26 in response to a four-week upward trend of new daily COVID-19 cases. (Photo by David Becker/Zuma Press)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

“Snailpimp” is a project by artist Stefan Siverud, who is having fun decorating living snails with the most varied designs, from the McDonald’s logo to the miniature lighthouse through Pac-Man, Ikea and Adidas. A funny and interesting project, achieved with non-toxic paints, which of course raises the question of the impact on these living animals. If some people ironize that these highly visible snails are less likely to be inadvertently stepped on by people, others point out that they are more easily spotted by predators… A project in line with the Inner City Snail artist Slinkachu.