A Catholic faithful fancy dressed as a “talciguin” -character of the local folklore- takes part in the celebration of an ancient local tradition that marks the start of Holy Week, in Texistepeque, some 80 km west of San Salvador, on April 15, 2019. Talciguines are devils who “lash” Catholic faithfuls to cleanse their sins. (Photo by Marvin Recinos/AFP Photo)

Women take a selfie next to a police officer as they take part in New Year's Eve celebrations in the Bund, in Shanghai, China December 31, 2016. (Photo by Aly Song/Reuters)

A commuter holding his shoes rides on a tricyle through a flooded street, caused by a heavy downpour brought about by the southwest moonson, in Manila, Philippines on August 2, 2019. (Photo by Ted Aljibe/AFP Photo)

Covered body is seen at the site of missile strike downtown Kyiv, Ukraine, October 10, 2022. Ukrainian officials report that at least eight people were killed and 24 wounded in the Ukrainian capital. (Photo by Valentyn Ogirenko/Reuters)

«Mignon 2». A.E.G., Berlin, Germany, 1905. Despite its unusual appearance, the Mignon typewriter is of a very clever design, giving a smooth and fast operation for typing. (Photo and caption by Martin Howard/Martin Howard Collection)

Members of a teenage girl gang convincing an unwilling recruit to join the gang, circa 1955. (Photo by Vecchio/Three Lions)

“Sally Mann (born in Lexington, Virginia, 1951) is one of America’s most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Her many books include Second Sight (1983), At Twelve (1988), Immediate Family (1992), Still Time (1994), What Remains (2003), Deep South (2005), Proud Flesh (2009), and The Flesh and the Spirit (2010). A feature film about her work, What Remains, debuted to critical acclaim in 2006. Mann is represented by Gagosian Gallery, New York. She lives in Virginia”.

Photo: Candy Cigarette, 1989. (Photo by Sally Mann)