Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Latvian cyclists have decided to show the automobilists just how absurd it is to have only a single occupant in a car. The car takes up an enormous amount of space on the road; however, everyone is so used to it that no one ever notices it. It’s not hard to guess the thoughts of automobilists, and how they cursed those cyclists for taking up so much space. However, they have only themselves to blame. If everyone rode only bicycles to work, then there would never be such a thing as a traffic jam, the air in the city would become cleaner, while people would live longer, healthier lives, since cycling is a wonderful way to use the extra fat on your belly as the “fuel” for your bike.

One glance at the 3D models created by Rebeca Puebla is enough to realize that this artist has a soft spot for BDSM. The finely detailed model of a nun with heavily tattooed hands and a ball gag in her mouth or an Asian woman in a latex suit of a horse leave no doubt about it. At first, Rebeca Puebla has started out as a traditional illustrator. However, in later years she became a 3D character artist for films, TV, and video games. Though she has many regular-looking 3D models and illustrations, many of her works are quite controversial featuring 3D models of ladies in latex suits or wearing Nazi uniforms. (Photo by Rebeca Puebla)

Miners pulling up lazy tourists to the rim of Kawah Ijen (Ijen Volcano), East Java, Indonesia on September 21, 2017. They will earn as much as they would bring down a load of sulfur. Nomadic Explorer, Cultural Lifestyle Photographer Claudio Sieber captured striking images of miners working at Ijen volcanic range in East Java, Indonesia. The sulphur miners risk their lives daily as they climb the active volcano carrying heavy loads, which they sell to sugar refineries. (Photo by Claudio Sieber/Barcroft Images)

A group of young women have 'a bit of a do' for Oxfam at St Pancras International and enjoy a screening of the nation's favourite chick-flick Dirty Dancing on February 28, 2011 in London, England. Oxfam is calling on women across the UK to get together with their female friends in March to celebrate women's achievements for the 100th anniversary of International Women's Day (March 8, 2011) and raise money to support their work with women living in poverty. www.oxfam.org.uk/do (Photo by Ian Gavan/Getty Images for Oxfam). LONDON, ENGLAND – FEBRUARY 28

Heavy equipment works along the still under construction Bamiyan-Yakawlang road June 10, 2011 in Yakawlang, Afghanistan. The 69 Million US$ project is supported by the Government of Japan and World Bank. The 90K road project was started three years ago and is slated to be finished within another year. This new road means faster travel from Bamiyan to Afghanistan's only national park, Band-e-Amir. This is in of the safest parts of the country and the hope is to expand tourism in the region. (Photo by Paula Bronstein/Getty Images)

“A guide horse is an experimental mobility option for blind people who do not wish to or cannot use a guide dog. They are provided by The Guide Horse Foundation, founded in 1999 to provide miniature horses as assistance animals to blind users living in rural environments”. – Wikipedia

Photo: Shari Bernstiel, of Lansdale, Pennsylvania is helped along the sidewalk by Tonto, her guide horse March 19, 2004 in Lansdale, Pennsylvania. Tonto, a minature horse who went through one year of training, acts as Sheri's seeing eye dog and is one of three working guide horses in the United States. (Photo by William Thomas Cain/Getty Images)

“Anish Kapoor CBE RA (born 12 March 1954) is a British sculptor of Indian birth. Born in Mumbai (Bombay), Kapoor has lived and worked in London since the early 1970s when he moved to study art, first at the Hornsey College of Art and later at the Chelsea School of Art and Design”. – Wikipedia

Photo: Workmen install a large-scale sculputure by Anish Kapoor at the Lisson Gallery on October 10, 2006 in London, England. (Photo by Gareth Cattermole/Getty Images)