A garbage collector, with his horse and cart, prepares to unload rubbish at the municipal dump in Nezahualcoyotl, on the outskirts of Mexico City, February 18, 2015. Hundreds of horse or donkey-drawn carts will disappear from the streets of a municipality in the state of Mexico, located on the outskirts of Mexico City, and will be replaced by motorized vehicles, local authorities said. (Photo by Henry Romero/Reuters)

Performers take part in a rain soaked Notting Hill Carnival on August 25th, 2014 in London, England. Despite the bad weather over 1 million visitors are expected to attend the two-day event which is the largest of its kind in Europe. The event has taken place on the West London streets every August Bank Holiday weekend since 1964. (Photo by Mary Turner/Getty Images)

Members of the Cyclophonica band play instruments as they make a stop during a ride in Rio de Janeiro May 17, 2015. The Cyclophonica band was formed by a group of musicians riding bicycles around the city, mixing sport and culture and entertaining people on the streets, according to its founder Leonardo Fuks. (Photo by Pilar Olivares/Reuters)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

(fos) is the name of the first ephemeral installation by the multidisciplinary team (fos). It means light in Greek and melted in Catalan. In this project has been represented by a skin that covers both vertical and horizontal surfaces. The protected façade of the vegan restaurant Rayen at Lope de Vega street in Madrid has been illuminated for 4 days and nights by more than 250lm of yellow duct tape, painted décor items, pineapples and... a lamp. A visual game between perspective and colored volumes that gained the looks.

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.