A man stands next to the body of a migrant child washed up on a beach in Canakkale's Bademli district on January 30, 2016 after at least 37 migrants drowned when their boat sank in the Aegean Sea while trying to cross from Turkey to Greece, Turkey's state-run Anatolia news agency reported. The migrants, who included those from Myanmar, Afghanistan and Syria, set sail from the Canakkale province to reach the nearby Greek island of Lesbos, Anatolia said. (Photo by Ozan Kose/AFP Photo)

Non-Hindus carry nets as they wait on the edge of the crater to catch offerings cast down by Hindus during the Kasodo ceremony at Mount Bromo, Probolinggo, Indonesia, August 12, 2014. The Kasodo ceremony is a way of Tengger Hindus to express their gratitude to God for good harvest and fortune. The offerings range from vegetables to chickens, from fruits to goats, from money to other valuables. (Photo by Fully Handoko/EPA)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

Cowboys Wyatt Williams (R) and David Thompson work to restrain a calf in order to give it medicine near Ignacio, Colorado June 12, 2014. The land where the cattle graze is leased from the Forest Service by third-generation rancher Steve Pargin. Several times a year, he and a crew led by his head cowboy, David Thompson, spend a week or more herding cattle from mountain range to mountain range to prevent them from causing damage to fragile ecosystems by staying in a single area too long. (Photo by Lucas Jackson/Reuters)

Base jumper Denis Odintsov from Russian leaps from the 300-meters Open Deck of the Malaysia's landmark Kuala Lumpur Tower during the International Tower Jump in Kuala Lumpur on September 27, 2013. Some 103 professional base jumpers from 20 countries are taking part in the annual event. (Photo by Mohd Rasfan/AFP Photo)

A woman spends her time outdoors to observe the ancient festival of Sizdeh Bedar, an annual public picnic day on the 13th day of the Iranian new year, at the Tochal mountainous area northern Tehran, Iran, Sunday, April, 2, 2017. Sizdeh Bedar, which comes from the Farsi words for “thirteen” and “day out”, is a legacy from Iran's pre-Islamic past that hard-liners in the Islamic Republic never managed to erase from calendars. (Photo by Ebrahim Noroozi/AP Photo)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)