Untitled. (Photo by Lee Jeffries). P.S. The person in the photo – poured-out our yard keeper Volodya (it has no surnames, therefore it's simple – Volodya). It too the homeless, and too the good person (it's visible according to eyes). Looks after stray dogs and cats, every day feeds crowd of pigeons in a yard... I am on friendly terms with it. =) (Forgive please me for bad English – Translate.ru very much tried to inform to you my scanty thought).

This deviantART artist Wood-Splitter-Lee creates her own animal sculptures without the use of any dead carcasses. The basis of each animal's shape is made out of materials such as wood, clay and chicken wire, and is then wrapped up in a soft padding. On top of that, she adds imitation fur that she hand dyes and as many details and decorative elements as she sees fit. The result are truly one-of-a-kind fantasy creatures.

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

“Lee Jung Hyun is a Korean pop singer and actress. She is widely known as “The Techno Warrior” or “The Techno Queen”, but due to other singers singing Techno, she changed her title to “The Queen of Transformation”. Her English name is AVA and her Japanese name is Hyony”. – Wikipedia