Police officers laugh as Greenpeace activists create a burnt smoldering rain-forest with a lifelike animatronic orangutan at the headquarters of Oreo cookies, in protest over their use of palm oil on November 19, 2018 in Uxbridge, England. Greenpeace is calling on the makers of Oreo to stop buying palm oil from Wilmar, the largest palm oil producer, who they say have destroyed 70,000 hectares of Indonesian rain forest in the last two years. (Photo by Chris J. Ratcliffe for Greenpeace via Getty Images)

People walk past a burnt bus near Sri Lanka's former prime minister Mahinda Rajapaksa's official residence, a day after it was torched by protesters in Colombo on May 10, 2022. Five people were killed and more than 225 wounded in a wave of violence in Sri Lanka where the prime minister resigned after weeks of protests over the worsening economic crisis. (Photo by Ishara S. Kodikara/AFP Photo)

Malawian Saw-wa, 33, (L) and Yupin Saw-wa, 28 who lost their daughters, cry near a burnt building at the Pitakkiat Wittaya School in the northern province of Chiang Rai, Thailand, May 23, 2016. (Photo by Athit Perawongmetha/Reuters)

A kangaroo and joey are seen in a burnt forest on Kangaroo Island, south west of Adelaide on January 16, 2020. Australia’s continuing bushfire crisis has taken an enormous toll on wildlife, with huge numbers of mammals, birds, reptiles, insects and other species killed. (Photo by Jo-Anne McArthur/Weanimals)

A dummy representing “the abuser” is burnt during the traditional “burning of Judas”, the biblical figure who supposedly betrayed Jesus, during Easter celebrations, at El Cementerio neighbourhood in Caracas, on March 31, 2024. (Photo by Federico Parra/AFP Photo)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Smoke rises from the sauna as Eda Veeroja walks past with birch twigs at Mooska farm near the village of Haanja December 20, 2014. Smoke saunas are usually built without chimney and have a stove that rest on boulders where firewood is burnt until the room heats up. When the smoke is gone and the room reaches the right temperature, people sit inside and whisk each other with birch twigs. The tradition of the smoke sauna in Voromaa vicinity, in the south of Estonia, is enlisted in the UNESCO representative list of the intangible cultural heritage of humanity. (Photo by Ints Kalnins/Reuters)