A rag-and-bone woman stands next to carriages of a coal train outside a coal mine of the state-owned Longmay Group on the outskirts of Jixi, in Heilongjiang province, China, October 22, 2015. (Photo by Jason Lee/Reuters)

s*x workers, wearing decorative skull masks, march through the streets in downtown Mexico City, Friday, October 28, 2016. The women march with candles to an altar dedicated to their departed colleagues, many who died violently at the hands of their customers. This annual procession, tied to the Day of the Dead festivities, has taken place for more than 20 years. (Photo by Eduardo Verdugo/AP Photo)

A citizen rides in smog on December 20, 2016 in Jinan, Shandong Province of China. Air quality index (AQI) readings exceeded 400 and some schools have suspended classes in Jinan. (Photo by VCG/VCG via Getty Images)

A woman waters the plants outside her house in an alley at a slum in Mumbai October 28, 2014. (Photo by Danish Siddiqui/Reuters)

A general view of the residential area is pictured during dusk at Jodhpur in Rajasthan, April 5, 2015. Jodhpur, also known as the blue city in the desert Indian state of Rajasthan, which residents say originally, was used to show where the highest caste of priestly Hindus live, who wanted to set them apart from the rest of the population. Later the rest of the population followed suit. Another reason for the city to be blue is to keep the buildings cool during the summers, local residents said. (Photo by Adnan Abidi/Reuters)

A policeman is pictured near a woman with a baby during an operation against drug dealers in Cidade de Deus or City of God slum in Rio de Janeiro, Brazil, November 23, 2016. (Photo by Ricardo Moraes/Reuters)

Inspired by traditional Indian travelling photography studios, Arthur Crestani photographed the inhabitants of Gurgaon, a city built almost entirely by private companies. Arthur Crestani’s “Bad City Dreams” contrasts the glossy ideal sold by developers with urban reality. Here: Luxury Living Bhiwadi: “Sky Club on 18th Floor”. (Photo by Arthur Crestani/The Guardian)