Tank crew standing in front of M-4 tank, Ft. Knox, Kentucky, June, 1942. (Alfred Palmer/OWI/LOC)

The abandoned Moulton and Kyle Funeral Home in Jacksonville, Fla., which is more than 150 years old, was left to rot, with the premises eerily strewn with open caskets, a hearse and embalming chemicals. Much like the corpses that were laid to rest, the remains of this building too are slowly decomposing and decaying. Black mold has engulfed the walls, and chipped tiles from the collapsed ceilings cover many of the floors. (Photo by Abandoned Southeast/Caters News Agency)

A woman holds a rooster burned during a fire on a hill, where more than 100 homes were burned due to a forest fire but there have been no reports of death, local authorities said in Valparaiso, Chile January 2, 2017. (Photo by Rodrigo Garrido/Reuters)

A security personnel plays with a girl in the compound of a health and rest centre which serves as a temporary accommodation for refugees from eastern regions of the country in the town of Korostyshiv, Zhytomyr region, Ukraine, July 30, 2015. More than 400 people who left eastern Ukraine due to a military conflict have arrived at the sanatorium in Korostyshiv since the summer of 2014, according to representatives. (Photo by Valentyn Ogirenko/Reuters)

The once majestic building lies in ruins, with crumbling walls and chilling debris, including body bags and embalming fluids scattered throughout. Formerly an opera house, the building was transformed into a funeral home in 1946. The chilling snaps were taken by photographer Johnny Joo at the deserted House of Wills Funeral Home in Cleveland. Here: The balcony in the abandoned opera hall. (Photo by Johnny Joo/Caters News)

Members of the Women's Fire Brigade with their Chief Officer, March 1916. (Photo by Topical Press Agency)

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home