Participants take part in the 44th annual Gay and Lesbian Mardi Gras parade at the Sydney Cricket Ground (SCG) in Sydney, Australia, 05 Ma​rch 2022. (Photo by Bianca de Marchi/EPA/EFE)

These pictures, made by Joel Strong, look as if a giant hand is pinching the head of a poor Leo. Leo, however, is oblivious to this fact and continues on with his life, taking on a role of everyone from an old granny to a young lady. Thanks to Joel’s skill and sense of humor, the cut out heads of Leonardo DiCaprio, taken from 90s magazines, fit perfectly into the new scenes. If seeing young Leo with a body of an old granny or a fat, half-naked guy in the park doesn’t strike you as funny, we don’t know what will. (Photo by Joel Strong)

French firemen wearing chemical protective suits take part in a mock chemical attack exercise at the Geoffroy Guichard stadium in Saint-Etienne, France, April 4, 2016 in preparation of security measures for the UEFA 2016 European Championship. (Photo by Robert Pratta/Reuters)

People dance Tuesday, April 28, 2015, in Baltimore. Maryland's governor vowed there would be no repeat of the looting, arson and vandalism that erupted Monday in some of the city's poorest neighborhoods. (Photo by Matt Rourke/AP Photo)

Sri Lankan military personnel march during the country's 66th Independence Day celebrations in the central town of Kegalle, about 40 kms from the capital Colombo on February 4, 2014. Sri Lanka cemmemorates its independence from British rule on February 4, 1948. (Photo by Ishara S. Kodikara/AFP Photo)

A fisherman carries a sailfish on his head to the fish market in Hamarweyne near the port of Mogadishu on April, 4, 2016. (Photo by Mohamed Abdiwahab/AFP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A woman sits next to a dog during the fifth edition of the “Mi Mascota” (My Pet) fair in Malaga, southern Spain, November 27, 2016. (Photo by Jon Nazca/Reuters)