Frank A. Rinehart, a commercial photographer in Omaha, Nebraska, was commissioned to photograph the 1898 Indian Congress, part of the Trans-Mississippi International Exposition. More than five hundred Native Americans from thirty-five tribes attended the conference, providing the gifted photographer and artist an opportunity to create a stunning visual document of Native American life and culture at the dawn of the 20th century. Photo: Little Bird, Arapahoe, 1899. (Photo by Frank A. Rinehart)

Gus Palmer (Kiowa, at left), side gunner, and Horace Poolaw (Kiowa), aerial photographer, in front of a B-17 Flying Fortress. MacDill Field, Tampa, Florida, ca. 1944. (Photo and caption by 2014 Estate of Horace Poolaw)

Vivi Mac, an amazing artist from France who can use virtually any kind of food to create detailed celebrity portraits. Although she has yet to display her ephemeral masterpieces in an proper art gallery, Vivi Mac has already made a name for herself online.

A woman places her fingers into the crucifix-shaped holes in one of the ancient columns in the Church of the Nativity on December 22, 2011 in Bethlehem, West Bank. (Photo by Uriel Sinai/Getty Images)

The work of Kirby Sattler is fueled by an inherent interest in the Indigenous Peoples of the Earth. His current images evolve from the history, ceremony, mythology, and spirituality of the Native American

Erzhena Zhamyanova (“Amar Sain” theater) and Buryat folk instruments orchestra – Dance Monkey. “Dance Monkey” is a song by Australian singer Tones and I, released on May 10, 2019 as the second single (first in the US) from Tones and I's debut EP The Kids Are Coming.