People use snowshoes during a tour of the Great Kemeri Bog, Latvia, October 17, 2015. The Kemeri bog is more than 8,000 years old and is one of the largest dry moss swamps in the Baltics. A more than decade-long joint restoration of the bog by the European Union and the Latvian government helped the bog recover its high moss marshes, damp black alder forests, floodplain meadows and seaside lakes – features now considered rare in Europe due to industrialisation. (Photo by Ints Kalnins/Reuters)

Beyonce performs during the Formation World Tour at Raymond James Stadium on Friday, April 29, 2016, in Tampa, Florida. (Photo by Frank Micelotta/Invision for Parkwood Entertainment/AP Images)

Miss France contestants stand on stage during the Miss France 2016 beauty pageant, on December 19, 2015 in Lille, northern France. (Photo by Philippe Huguen/AFP Photo)

A Nativity scene is seen at the window of a house in the medieval mountain village of Luceram as part of Christmas holiday season, France, December 15, 2016. Luceram presents more than 450 creches (Nativity scenes) from the tiny to the huge yearly in December as part of the Circuit des Creches. (Photo by Eric Gaillard/Reuters)

Singer Madonna performs during her concert at the AccorHotels Arena in Paris, France, December 9, 2015, on her Rebel Heart Tour. (Photo by Benoit Tessier/Reuters)

The Bridge is a concept design for the ArchTriumph competition – they wanted to actually create something rather fun and frivolous (as opposed to their projects that are all of great concern when it comes to functionality, comfort for its users etc). The competition was a nice opportunity to create something a bit “outside the lines” and to have fun actually. A fun and smart idea, yet rigorous, congratulations!

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.