Bayern's Giulia Gwinn heads the ball during the women's quarterfinal Champions League first leg soccer match between Bayern Munich and Paris Saint-Germain in Munich, Germany, Tuesday, March 22, 2022. (Photo by Matthias Schrader/AP Photo)

Mural of wartime leader Sir Winston Churchill wearing stockings and suspenders and giving the “V” sign by illusive local artist who goes by the name Horace, on the side of the Sandpiper guest house in Brighton on November 22, 2020. (Photo by Gareth Fuller/PA Images via Getty Images)

U.S. Air Force Major Paul “Loco” Lopez performs in an F-22 Raptor during the AirPower Over Hampton Roads JBLE Air and Space Expo at Joint Base Langley-Eustis, Virginia, U.S. May 18, 2018. (Photo by U.S. Air Force/Staff Sgt. Areca T. Bell/Handout via Reuters)

New electric cars for sale are seen parked at a distribution center of the Changan automobile company in southwestern China's Chongqing municipality on March 24, 2024. (Photo by AFP Photo/China Stringer Network)

A woman dressed up for Halloween travels on a Metro train in São Paulo, Brazil on October 30, 2017. (Photo by Cris Faga/Rex Features/Shutterstock)

Ukrainian territorial defence soldiers from the Donetsk Oblast fire D-20 artillery in the direction of Toretsk, Ukraine, 24 July 2025. (Photo by Diego Herrera Carcedo/Anadolu via Getty Images)

Participants wearing colorful costumes take part in the Flowers Parade of the 151th annual Carnival of Nice, in Nice, France, 20 March 2024. The annual Carnival of Nice run from 17 February to 03 March 2024, and the main theme will be “King of Pop Culture”. (Photo by Sebastien Nogier/EPA)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)