An Indian Air Force person walks carrying a Nepalese child, wounded in Saturday's earthquake, to a waiting ambulance as the mother rushes to join after they were evacuated from a remote area at the airport in Kathmandu, Nepal, Monday, April 27, 2015. The death toll from Nepal's earthquake is expected to rise depended largely on the condition of vulnerable mountain villages that rescue workers were still struggling to reach two days after the disaster. (Photo by Altaf Qadri/AP Photo)

A woman watches rescue operations after a bus and a truck crashed on the road that links the Honduran capital with the south of the country, near Germania, 11 km south of Tegucigalpa on February 5, 2017. At least 12 people were killed and 35 injured of some 70 who were on board the bus. (Photo by Orlando Sierra/AFP Photo)

Workers pull apart a house in Khandyga, Russia, on February 2, 2018. The shifting ground caused by the uneven thawing of permafrost each summer causes buildings like this Soviet-era apartment house to sag and collapse. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)

A member of Kun Seng Keng Lion and Dragon Dance Association, demonstrates a dance with an ox mask designed for Lunar New Year at a training centre, during an interview with Reuters, in Muar, Malaysia on February 5, 2021. (Photo by Lim Huey Teng/Reuters)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.