Revellers celebrate “Ash Monday” by participating in a colourful “flour war”, a traditional festivity marking the end of the carnival season and the start of the 40-day Lent period until the Orthodox Easter, in Galaxidi, Greece February 19, 2018. (Photo by Alkis Konstantinidis/Reuters)

A reveller reacts amid a “flour war” during the “Ash Monday” celebrations, a traditional festivity marking the end of the carnival season and the start of the 40-day Lent period until the Orthodox Easter, in the port town of Galaxidi, Greece, on March 11, 2019. (Photo by Aris Messinis/AFP Photo)

Maria Sakkara of Greece in action against Ann Li of the United States in her second round match at the Qatar TotalEnergies Open at the Khalifa International Tennis & Squash Complex on February 22, 2022 in Doha, Qatar (Photo by Robert Prange/Getty Images)

A girl eats a watermelon slice while at a school building where Syrians – displaced from the area of Ras al-Ain by the Turkish offensive on the northeast – are staying in the city of Hasakah, on June 30, 2020. (Photo by Delil Souleiman/AFP Photo)

Palestinian man Mohammed al-Hoor, 23, demonstrates his street workout skills in Nuseirat refugee camp, in the central Gaza Strip on May 2, 2017. (Photo by Mohammed Salem/Reuters)

A girl splashes water over a boy amidst soaring temperatures at the Shati camp for Palestinian refugees in Gaza City on July 17, 2023. (Photo by Mohammed Abed/AFP Photo)

Tibetan boys dressed in traditional attire take part during a function organised by the Tibetan Refugee Community in Nepal,commemorating the 25th Anniversary of the Nobel Peace Prize conferment to exiled Tibetan spiritual leader Dalai Lama and the 66th International Human Rights Day in Kathmandu December 10, 2014. Nepal ceased issuing refugee papers to Tibetans in 1989 and recognizes Tibet to be a part of China. (Photo by Navesh Chitrakar/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)