“HA Schult, born Hans-Jürgen Schult on June 24, 1939 in Parchim, Mecklenburg is a German installation, happening and conceptual artist known primarily for his object and performance art and more specifically his work with garbage”. – Wikipedia

Photo: German artist Ha Schult stands with his “trash people” below the pyramids May 15, 2002 in Giza, Egypt. Inspired by the statues of the terracotta army of Chinese Emperor Quin Shi Huangdi (247–206 B.C.), the thousand piece sulpture has stood in Red Square in Moscow, La Defense in Paris and the Great Wall in China. Schult, born in 1939 wants to bring the “trash war” to the world's attention beause trash is the greatest battle facing mankind. (Photo by Norbert Schiller/Getty Images)

In this Friday, August 9, 2019, file photo, Pakistan Rangers soldiers face Indian Border Security Force soldiers at a daily closing ceremony on the Indian side of the Attari-Wagah border. India's recent clampdown has a long history in Kashmir and the conflict has existed since the late 1940s, when India and Pakistan won independence from the British empire and began fighting over rival claims to the Muslim-majority territory. India and Pakistan have fought two of their three subsequent wars over Kashmir, and each administers a portion of the region. India has long seen the Kashmiri struggle for self-determination as Islamabad's proxy war against New Delhi. (Photo by Prabhjot Gill/AP Photo/File)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

Toby, an 11-year-old German shepherd-husky mix, can hold almost anything on his head that his owner, Pat Langner, can think up, including balls, Christmas trees, and even the ingredients for a peanut butter and jelly sandwich. He also shows remarkable self-restraint by not immediately gobbling down the food that his owner gives him to balance. Here: Toby balances halloween decorations on his head. (Photo by Pat Langer/Caters News Agency)

Crampus from Netherworld Haunted House with Amber Thompson, spa staff, at Bliss Spa at W Atlanta Downtown hotel on Thursday, October 7, 2014. A self-guided, dark attraction known for its over-the-top special effects, intense make-up, costuming and stunt actors as well as unique monsters, unusual themes and chilling detail, Netherworld Haunted House in Atlanta is taking over the Halloween holiday this season for its 18th season. (Photo by Hyosub Shin/AJC)

Without mincing words we would like to present a feature: Self-Publishing, let's call it Samizdat. :-) Sure we aren't Flickr, StumbleUpon or add_whatever_you_like, we're really small in comparison with these giants but we have constant, very attentive and grateful audience. All we can offer you is a place on the main page and attention of all our visitors to your posts, the things that are hard to achieve on numerous social services. Who knows, maybe tiny and humble indie project like AvaxNews will be much more helpful in searching of your audience than facebook for example. %-)

Photographer Wes Naman has created portraits of his friends using Scotch Tape to distort their features. The results are similar to Scottish artist Douglas Gordon's 1997 work, Monster, but Wes says he originally got the idea after applying tape to himself to test a lighting rig set-up. Wes Naman has been a self taught photographer of ten years before graduating from commercial photography in his home in North Carolina. (Photo by Wes Naman/Rex Features)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)