A biker shows his 12-year-old cat “Chiquinho” – which always rides with him on his motorbike – in Rio de Janeiro, Brazil, on June 19, 2016. (Photo by Yasuyoshi Chiba/AFP Photo)

Members of the Kaisokah Moko Jumbies perform with fire on the waterfront near their San Fernando, Trinidad base February 10, 2015. (Photo by Andrea De Silva/Reuters)

Audrey Tautou poses at a photo call during The 66th Annual Cannes Film Festival at at Palais des Festivals on May 14, 2013 in Cannes, France. (Photo by Valery Hache/AFP Photo)

A worker inspects the Christ the Redeemer statue which was damaged during lightning storms in Rio de Janeiro January 21, 2014. (Photo by Severino Silva/Reuters/Agência o Dia)

Norwegian actress Renate Reinsve attends the “Armand” Photocall at the 77th annual Cannes Film Festival at Palais des Festivals on May 18, 2024 in Cannes, France. (Photo by Lionel Hahn/Getty Images)

Jesus Christ The Redeemer is seen during sunrise in Rio de Janeiro, Brazil August 2, 2016. Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by Polish-French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa, in collaboration with the French engineer Albert Caquot. The face was created by the Romanian artist Gheorghe Leonida1. (Photo by Kai Pfaffenbach/Reuters)

A child, from Municipal school Parana, poses during the project “Fencing School” in Rio de Janeiro, Brazil, March 30, 2016. Children in Rio de Janeiro lift their sights and their swords to new idols, as a round of fencing workshops takes to public schools. The International Fencing Federation, together with the Brazilian and state federations, will reach 40 public schools in March and April. The aim is to whip up a following for the Olympic sport, little known in the soccer-mad nation, as Rio sets the stage for the Summer Games in August. (Photo by Sergio Moraes/Reuters)

Zulmira Jesus poses for a portrait at a street in Povoa de Agracoes, near Chaves, Portugal April 19, 2016. In the villages of Agracoes and Povoa de Agracoe, the steady drip-drip of emigration has brought down population numbers from more than 50 residents to fewer than a dozen each. These remaining villagers share the same glum acceptance that, after they have gone, their villages will die out too. It is the same desolate picture in scores of other backwater settlements in Portugal's interior, north to south. (Photo by Rafael Marchante/Reuters)