Jil Belen Teichmann of Switzerland in action against Victoria Azarenka of Belarus in her third round match on Day 6 at Roland Garros on May 27, 2022 in Paris, France. (Photo by Dylan Martinez/Reuters)

A mahout removes the prosthetic from Motala, age 50, at the Friends of the Asian Elephant (FAE) elephant hospital in the Mae Yao National Reserve August 29, 2011 Lampang,Thailand. Motala lost a foot many years back after stepping on a land mine and now is on her third prosthetic, as they need to be changed according to the weight of the elephant. (Photo by Paula Bronstein/Getty Images)

A South American marine animal rescue group “S.O.S Rescate de Fauna Marina” is raising a baby La Plata Dolphin (Pontoporia blainvillei) found beached near Montevideo city with its umbilical cord still attached. The group is headed by Richard Tesore who is shown swimming with the baby female dolphin near the seaside resort of Piriapolis in Uruguay.

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

Visitors crowd an artificial wave swimming pool at a tourist resort to escape the summer heat in Daying county of Suining, Sichuan province, China, July 11, 2015. (Photo by Reuters/Stringer)

A couple watches the sunset over a sea of fog covering the Geneva Lake from Chardonne, Switzerland, 28 December 2015. (Photo by Jean-Christophe Bott/EPA)

Boys play with a ball in front of oilfields burned by Islamic State fighters in Qayyara, south of Mosul, Iraq November 23, 2016. (Photo by Goran Tomasevic/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.