Britain Horse Racing, Royal Ascot, Ascot Racecourse on June 17, 2016. Chelsea pensioners with a racegoer posing between them. (Photo by Toby Melville/Reuters/Livepic)

Playboy Bunnies pose for a selfie at the premiere of “The Transporter Refueled” at Playboy Mansion in Los Angeles, California August 25, 2015. The movie opens in the U.S. on September 4. (Photo by Mario Anzuoni/Reuters)

Dancers take part in “La Vijanera”, a winter masquerade at the beginning of carnival season in Europe, in Silio, northern Spain, January 8, 2017. (Photo by Vincent West/Reuters)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

The mummy of Yuya thought by some to be Josua who, after Moses, led the Hebrews into the Promised land and logically would be the father-in-law of Amenophis III, at Cairo Museum, Egypt. (Photo by Patrick Landmann/Cairo Museum/Getty Images)

A man wearing a native costume named “Woman Carrying Husband” poses ahead of the Carnival in Sostanj January 15, 2015. Slovenians and members of various ethnological groups celebrate the annual carnival, also known locally as Pust, by wearing traditional masks and costumes to symbolically “chase away” the winter. Prust runs from February 7 to 17 this year. (Photo by Srdjan Zivulovic/Reuters)

Rachel Hollon of Los Angeles was body painted as Harley Quinn at Comic-Con International in San Diego, USA on Jule 20, 2017. (Photo by K.C. Alfred/San Diego Union-Tribune via ZUMA Press/Rex Features/Shutterstock)

A boy sitting with his family looks up at a traditional Chinelo costumed dancer during a celebration 40 days after the birth of Jesus, in Xochimilco on the outskirts of Mexico City, February 2, 2015. The tradition of the Chinelo dates back to colonial times and the outfits and masks, which are supposed to resemble the faces of the Europeans and always sport an uptilted beard, became more elaborate between the 1800s and 1900s to make fun of the upper social classes. (Photo by Edgard Garrido/Reuters)