American model Emily Ratajkowski are spotted arriving to the La Ligne dinner at the Hotel Barriere Fouquet in New York City on February 8, 2023. (Photo by The Image Direct)

Revelers play in tomato pulp during the annual “La Tomatina” food fight festival in Bunol, Spain on August 30, 2023. (Photo by Eva Manez/Reuters)

A model walks the runway during the Shona Joy “Le Long de la Côte” collection launch runway on September 21, 2023 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)

A man holds a Savannah monitor in the petting zoo “La Casita del Avestruz” (The ostrich's little house), in Caracas, Venezuela on January 28, 2024. (Photo by Gaby Oraa/Reuters)

A member of the carnival group “La Vijanera de Silio” poses during the traditional ancient festival in the town of Silio, northern Spain, Saturday, January 7, 2023. (Photo by Alvaro Barrientos/AP Photo)

A model showcases designs by Eko Tjandra during JF3 Jakarta Fashion Festival at La Piazza Fashion tent Summarecon Mall Kelapa Gading on July 27, 2024 in Jakarta, Indonesia. (Photo by Robertus Pudyanto/Getty Images)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.