Afghan paraglider Leeda Ozori, 21, walks after practicing in Kabul, Afghanistan September 14, 2015. She is one of a group of young Afghans taking to the skies of a capital where military helicopters and surveillance balloons are a far more familiar sight. Women in Afghanistan's conservative Muslim society are increasingly entering areas such as education, sports and the workplace, but most still wear the head-to-toe garment, the burqa. (Photo by Mohammad Ismail/Reuters)

Sara Takanashi of Japan, Maja Vtic from Slovenia and Germany's Carina Vogt (R-L) prepare for a training session of the women's Individual normal hill HS100 ski jumping at the Nordic World Ski Championships in Falun February 18, 2015. (Photo by Kai Pfaffenbach/Reuters)

The picturesque Zao Ski Resort, one of Japan's oldest and most popular ski destinations, is illuminated on February 10, 2007 in Yamagata Prefecture, Tohoku region of Honshu island, Japan. Coniferous trees such as the Aomori white fir lie covered with chrystallised ice and snow (described as “silver frost” or “snow monsters”) and attract visitors. (Photo by Koichi Kamoshida/Getty Images)

A participant falls on vintage skis during a traditional historical ski race in the northern Bohemian town of Smrzovka February 21, 2015. (Photo by David W. Cerny/Reuters)

A sculptural artwork depicting former Chilean dictator Augusto Pinochet and headless presidents shot by a hooded high school student (not pictured) is seen at the Contemporary Art Museum in Santiago, December 2, 2014. The artwork, part of the “El ladrillo angular” (The angular brick) exhibition, portrays a student fighting against the ongoing continuity of dictatorship because of a political and economic system which has been impossible to destroy, according to “Papas Fritas” the artwork's creator. (Photo by Ivan Alvarado/Reuters)

A visitor passes behind the sculpture “Puma-Dentist” made with plastic, wax and original heads of a puma and a hind by Austrian artist Deborah Sengl during an exhibition at the art gallery Deschler in Berlin April 15, 2008. (Photo by Fabrizio Bensch/Reuters)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.