A winter swimmer, wearing a Santa Claus hat to celebrate the upcoming Christmas, reacts as he plays on a frozen lake at a park in Shenyang, Liaoning province, December 22, 2014. The characters on the hat read: “Shenyang Winter Swimming”. (Photo by Reuters/Stringer)

In this Saturday, May 7, 2016 photo, Afghan refugee Shazia Lutfi, 19, peeks through the door of her room at the former prison of De Koepel in Haarlem, Netherlands. The government has let Belgium and Norway put prisoners in its empty cells and now, amid the huge flow of migrants into Europe, several Dutch prisons have been temporarily pressed into service as asylum seeker centers. (Photo by Muhammed Muheisen/AP Photo)

A woman and a child make a bonfire at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, April 1, 2016. (Photo by Marko Djurica/Reuters)

In this February 19, 2017 photo, a couple dances during the “If you don't give me....then you lend me” Carnival street party on Ipanema beach, in Rio de Janeiro, Brazil. The typical view of Carnival in Brazil is anything goes, with no headdress too big, no outfit too small, no song too ribald, but this year some organizers of the world's best known party are drawing the line at lyrics that are sexist, homophobic or racist. (Photo by Silvia Izquierdo/AP Photo)

A girl sits on railway tracks at a makeshift camp for refugees and migrants at the Greek-Macedonian border near the village of Idomeni, Greece, March 19, 2016. (Photo by Alkis Konstantinidis/Reuters)

A model wears a face mask to help prevent the spread of the coronavirus, designed by Iraqi designer Ziad Tariq at his workshop in Basra, Iraq, Monday, July 20, 2020. (Photo by Nabil al-Jurani/AP Photo)

People and security members run away as Kurdish animal rights activists release a bear into the wild after rescuing bears from captivity in people homes, in Dohuk, Iraq on February 11, 2021. (Photo by Ari Jalal/Reuters)

Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch as a friend of hers looks on at Beijing Now Art Gallery, in Beijing August 11, 2014. Zhou started her art project titled “36 Days” on August 9, in which she would live inside an exhibition hall with an unfinished iron wire bed, some iron wire sculptures in the shape of stuffed animal dolls, a certain amount of food and her mobile phone, for 36 days. The entire process is open to visitors and she may also interact with them, according to Zhou. (Photo by Jason Lee/Reuters)