Paul Taylor Dance Company dancers Alex Clayton and Lisa Borres perform a scene from “Fibers” during a dress rehearsal on June 14, 2022. The Paul Taylor Dance Company (PTDC) will be at the Joyce June 14-19, 2022, with dances featuring early works choreographed by Paul Taylor. (Photo by Timothy A. Clary/AFP Photo)

Residents of Mathare slum fill bags with coal in hard conditions in the capital of Kenya, Nairobi on November 06, 2023. The coal that workers produce with primitive methods by working overtime in unlicensed workshops is used for heating, cooking and other daily needs. (Photo by Gerald Anderson/Anadolu via Getty Images)

A woman inspects artwork by Iranian artist Farrokh Mahdavi during a preview of the National Gallery of Victoria's (NGV) Triennial 2023, an exhibition featuring work by over 120 contemporary artists, designers and collectives, in Melbourne on December 1, 2023. (Photo by William West/AFP Photo)

These stunning light art pictures of skateboarding skeletons were created by Darren Pearson from Los Angeles. He works as a full time illustrator by day and by night he explores the varying landscapes of California in search of the perfect scene for his light-sculptures. Pearson makes complex light-effect photographs, none of which are photoshopped. He describes the work as location-based light art. Photo: A light skateboarder grinding a rail. (Photo by Darren Pearson/Caters News)

Ed Freeman was born and raised in Boston and majored in French and Russian at Oberlin College in Ohio. After college, he worked as a performing musician, arranger and record producer, creating dozens of pop and jazz vinyls, including Carly Simon’s debut album and Don McLean’s American Pie. Ed Freeman in 1990 and have watched him grow as an artist and a teacher. For the past eight years, Ed has been teaching a Photoshop class at Santa Monica City College and currently has large pieces of his work, Desert Realty, featured in a traveling museum.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.