Beau Blades poses for photo at Mulletfest 2025 Grand Final at the Chelmsford Hotel on December 06, 2025 in Kurri Kurri, Australia. Hundreds of mullet enthusiasts from across Australia and internationally converged at Chelmsford Hotel in the Hunter Valley for the Mulletfest Grand Final, where competitors vied for the coveted title of “Best Mullet of Them All” across multiple categories ranging from junior to extreme styles. (Photo by George Chan/Getty Images)

Honor guards are viewed during an official welcoming ceremony for Turkish President Recep Tayyip Erdogan by Albanian President Bajram Begaj, in Tirana, Albania on October 10, 2024. Turkish President Recep Tayyip Erdogan was welcomed by Albanian President Bajram Begaj with an official ceremony ahead of their meeting. (Photo by Mehmet Ali Ozcan/Anadolu via Getty Images)

A model wears a creation for the Elie Saab Spring-Summer 2022 Haute Couture fashion collection, in Paris, Wednesday, January 26, 2022. (Photo by Francois Mori/AP Photo)

Emily Ratajkowski sizzled in a plunging black swimsuit. The model is holidaying in the Adriatic near the Mediterranean Sea in the second decade of July 2025. (Photo by Instagram)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

These are the stomach-churning pictures of the swing at the end of the world – a rickety wooden swing hanging over a precipice 2,660 metres above sea level – and not a seatbelt in sight. (Photo by Caters News)