Model Lea Vlamos wears a creation for the Jean Paul Gaultier Haute Couture Spring-Summer 2018 fashion collection presented in Paris, Wednesday, January 24, 2018. (Photo by Francois Mori/AP Photo)
Auditioning performers follow resident choreographer Erik Sorensen, center back, at the Sydney Dance Company in a routine during castings in Moulin Rouge's current show “Féerie”, in Sydney, Australia, Thursday, July 28, 2016. The show's artistic team is in Australia to choose new talent to perform with one of the most famous cabarets that has been illuminating Paris since 1889. (Photo by Rob Griffith/AP Photo)
Seen in a long exposure nighttime photograph, a burned van rests in a lot while a wildfire glows on the horizon in Phelan, Calif., early Thursday, August 18, 2016 2016. (Photo by Noah Berger/AP Photo)
An Afghan woman fills containers with water near her temporary shelter at an internally displaced person's (IDP) camp on the outskirts of Herat, Afghanistan, January 21, 2015. Dozens of families are living in temporary shelters even in harsh winters and most depend on aid distributions by the United Nations High Commissioner for Refugees (UNHCR). (Photo by Jalil Rezayee/EPA)
Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.
Spanish actor Antonio Banderas embraces a robot used in the film Automata during a photocall on the third day of the 62nd San Sebastian Film Festival, September 21, 2014. Banderas stars in and produced the science fiction film, which is part of the festival's official section. (Photo by Vincent West/Reuters)