Museum assistant and former Soviet soldier, Sheikh Abdullah looks at a display in the Manzar-e Jahad, or Jihad Museum, which depicts the Soviet invasion of 1979 and the Afghan resistance, in Herat, on February 15, 2014. Sheikh Abdullah, who was a Soviet intelligence officer by the name of Khakimov Bakhrodin, was captured after being injured in battle with the Mujahideen. Abdullah stayed with his captors, converted to Islam and was renamed Abdullah. He never returned to his former homeland and now works at the Jihad Museum. (Photo by Aref Karimi/AFP Photo via The Atlantic)

Aisha, 15, (L) (who asked to withhold her last name), a Syrian refugee from Raqqa, waits with a fellow refugee while harvesting cannabis in the Bekaa valley, Lebanon October 19, 2015. Syrian refugees work to harvest and process spiky-leafed cannabis plants in neighbouring Lebanon’s Bekaa Valley. Often farmers of cotton and wheat back home in Raqqa province – now the de facto capital of Islamic State – the conflict in Syria drove them to seek safety in a region where Syrian migrant workers used to spend a few months a year before returning home. (Photo by Alia Haju/Reuters)

Two De Brazza's monkeys stand together at Port Lympne Wild Animal Park on June 21, 2011 in Hythe, England. Port Lympne has welcomed a host of new arrivals this year with wildebeest, colobus monkeys, gorillas and rhinos all adding to the current stock. Port Lympne and Howletts Wild Animal parks were set up by the late John Aspinall to protect and breed rare and endangered species and, where possible, return them to safe areas in the wild. The Aspinall Foundation which runs the parks also manages two gorilla rescue and rehabilitation projects in the central African countries of Gabon and Congo where they have successfully reintroduced over 50 gorillas to the wild. (Photo by Dan Kitwood/Getty Images)

In this June 12, 2017 photo, a woman stands in front of a mural on the slope in Central district, Hong Kong. Once known as Victoria after the British queen, Hong Kong island's waterfront formed the core of the British settlement after Hong Kong island was handed over as a colony in 1842. Today as Hong Kong approaches the 20th anniversary of its return to China, it remains a bustling commercial and financial center as well as the location of the main government offices. However, along the streets that angle sharply upward toward the mountains above, a more relaxed pace of life endures. (AP Photo/Kin Cheung)

Two visitors look at an artwork “Home Sweet Home: Pandemic Love 1” created by Hong Kong artist Mak Ying Tung at Art Basel in Hong Kong Wednesday, May 19, 2021. Art Basel, one of the world's most prestigious modern and contemporary art exhibitions, is returning to Hong Kong in its ninth edition. The prestige art fair is hosting 104 galleries from 23 countries and territories. (Photo by Vincent Yu/AP Photo)

When Dutch photographer Marcel Heijnen moved to Hong Kong, the territory’s shop cats instantly caught his eye. While the “feline emperors” are the stars, his shots also offer insights into Hong Kong’s wares, from dried fish to paper. Here: Hong Kong Shop Cats #17. (Photo by Marcel Heijnen/Blue Lotus)

The Belgian photographer Anton Kusters spent two years photographing the Yakuza, Japan’s most notorious gang. He returned with some amazing images that he made into a book called “Odo Yakuza Tokyo”. (Odo means “the way of the cherry blossom” and is the credo of the Yakuza family he followed. Photo: An erotic danser picks up fake 2-dollar bills during a private dance with a Yakuza customer in a strip tease bar in Kabukicho, a bar which is controlled by the ODO family – 2010. (Photo and caption by Anton Kusters)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)