A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Alluvial Fan, China. A vast alluvial fan blossoms across the desolate landscape between the Kunlun and Altun mountain ranges that form the southern border of the Taklimakan Desert in China’s XinJiang Province. Image taken by the ASTER instrument on NASA’s Terra satellite on May 2nd, 2002. (Photo by NASA/GSFC/USGS EROS Data Center)

An aerial view taken with a drone shows the autumnally colored Fuerst-Pueckler-Park near Cottbus, eastern Germany, Saturday, October 29, 2016. The park, composed with great sensitivity in the 19th century by Prince Hermann von Pueckler-Muskau, is considered as one of the last great German landscape gardens. (Photo by Patrick Pleul/DPA via AP Photo)

Undated handout issued by Take A View of Sunrise at Winnats Pass, Derbyshire, England which won the Visit Britian “You're invited” Award for the best image from an overseas entrant category in this year's Landscape Photographer of the Year Awards. (Photo by Sven Mueller/PA Wire)

A woman react inside a cloud of paint powder during the holi one colour Festival held in the city of Cape Town, South Africa, Saturday, March 2, 2013. Thousands of people are taking part in the festival by throwing coloured paint powder at each other to express freedom and the colour of everyday life. (Photo by Schalk van Zuydam/AP Photo)

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

Bomarzo's main attraction is a garden, usually referred to as the Bosco Sacro (Sacred grove) or, locally, Bosco dei Mostri ("Monsters' Grove"), named after the many larger-than-life sculptures, some sculpted in the bedrock, which populate this predominantly barren landscape.