The front wheels of a tractor, pulling a trailer overloaded with sugarcane, are seen lifted off the ground as it passes through the streets of Karor Lan Esan, Pakistan December 6, 2015. (Photo by Caren Firouz/Reuters)

Models present creations for Etam during the 2017 Spring/Summer ready-to-wear collection fashion show, on September 27, 2016 in Paris, France. (Photo by Swan Gallet/WWD/Rex Features/Shutterstock)

A girl picks catkins at a field amid the COVID-19 pandemic in Sarighat, on the outskirts of Dhaka, Bangladesh, October 2, 2020. (Photo by Mohammad Ponir Hossain/Reuters)

Zahra Lari runs in a scene shot for the Nike Middle East ad campaign filmed in Dubai, UAE, February 10, 2017. An online commercial released by Nike (NKE.N) this week that showed Arab women fencing, boxing and spinning on ice-skates has stirred controversy over its attempt to smash stereotypes about women leading home-bound lives in the conservative region. (Photo by Reuters/Nike)

In her blog “Stop Watch” Dutch artist Tineke Meirink takes photos of everyday objects found on the streets, then she gives life to by adding a minimal digital illustratior.

Smoke billows from Jinnah International Airport in Karachi, Pakistan, June 9, 2014. (Photo by Athar Hussain/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.