A resident walks past big waves spilling over a wall onto a coastal road in the city of Legaspi in Albay province, south of Manila on December 14, 2015, as typhoon Melor approaches the city. More than 700,000 people fled the central Philippines amid threats of giant waves, floods and landslides as powerful Typhoon Melor approached the archipelago nation, officials said December 14. (Photo by Charism Sayat/AFP Photo)

A man holds a child after rescuing him from a kindergarten affected by a fire at a commercial building, in Ningde, Fujian province, China, September 16, 2015. According to local media, more than 260 people were evacuated due to the fire, which broke out Wednesday morning. No causalities have been reported and the cause of it is still unknown. (Photo by Reuters/China Daily)

Bollywood actress Chitrashi Rawat lies in a plastic drum as she is briefed by a crew member during the shoot for the film “Black Home” at a beach on the outskirts of Mumbai April 26, 2013. (Photo by Danish Siddiqui/Reuters)

Alee Harrison, 13, wears the tv series “Doctor Who” on her legs as she works on a painting for Operation Blue Pride. (Photo by Greg Lovett/The Palm Beach Post)

An Egyptian horse owner cares for one of his animals at stables in Giza near the capital on May 26, 2024. (Photo by Khaled Desouki/AFP Photo)

In this July 24, 2016 photo, a pilgrim takes a bath in a sacred mud pool during the annual Voodoo celebration in Plaine-du-Nord, Haiti, Saturday, July 23, 2016. Pilgrims come to bathe in the mud and make offerings expecting a miracle. (Photo by Dieu Nalio Chery/AP Photo)

A cosplayer dressed as a “remote worker” with “corporate slave” written on his glasses poses for a photo on New Year's Eve at Comiket, the largest comic market that had been postponed for two years because of the coronavirus disease (COVID-19) pandemic, in Tokyo, Japan December 31, 2021. (Photo by Androniki Christodoulou/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.