Women hold the Russian flags during an event organized by a group of Russia supporters to show solidarity with Moscow against Ukraine in Beirut, Lebanon, Saturday, April 9, 2022. (Photo by Hassan Ammar/AP Photo)

Thailand's Lac Somruedee Pruepruk balances the ball during the sepak takraw women's match against Malaysia at the 31st Southeast Asian Games (SEA Games) in Hanoi on May 17, 2022. (Photo by Ye Aung Thu/AFP Photo)

A reveler playfully sticks out her tongue during a street pre-carnival party by the “Cordao do Boitata” Block, in Rio de Janeiro, Brazil, Sunday, February 12, 2023. Revelers are taking to the streets for the open-air block parties, leading up to Carnival's official Feb. 17th opening. (Photo by Bruna Prado/AP Photo)

British holidaymaker Sean Chinn captures a crocodile on camera during a dive at the Jardines de la Reina marine park in Caribbean Sea, Cuba. (Photo by Sean Chinn/Caters News Agency)

Visitors look on as a man (front) inserts two live snakes through his nose and mouth during a performance at an amusement park to celebrate the 65th anniversary of the founding of the People's Republic of China and the 7-day national day holiday, in Jinhua, Zhejiang province October 1, 2014. (Photo by Reuters/Stringer)

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)

Actress Alison Brie hosts in the Netflix comedy-drama“Glow” Season 1 TV Series, 2017. (Photo by Erica Parise/Netflix/Kobal/Rex Features/Shutterstock)

Photograph of model Czech-Italian Eva Herzigova taken by Italian photographer Gian Paolo Barbieri in Rome, Italy, 1997. (Photo by Gian Paolo Barbieri/Fondazione Gian Paolo Barbieri/29 ARTS IN PROGRESS gallery/Handout via Reuters)