A clown poses for a picture in a parade during Salvadoran Clown Day celebrations in San Salvador, El Salvador, December 7, 2016. (Photo by Jose Cabezas/Reuters)
People in Mexico wave at U.S. Border Patrol agents on horseback patrolling the U.S.-Mexico border fence near San Diego, California, U.S., November 10, 2016. (Photo by Mike Blake/Reuters)
Revellers dressed as zombies take part in an enactment of the running of the bulls a day before the start of the San Fermin festival in Pamplona, northern Spain, July 5, 2016. (Photo by Eloy Alonso/Reuters)
Mariachi musicians prepare to perform to celebrate the Day of the Virgin of Guadalupe outside the Basilica of Guadalupe in San Salvador, El Salvador December 11, 2015. (Photo by Jose Cabezas/Reuters)
Chinelos (traditional costumed dancers) perform in front of San Andres Ocotlan church as part of continuing festivities to welcome the new year in Calimaya, Mexico on January 4, 2016. (Photo by Arturo Hernandez/Demotix/Corbis)
A terrace of a house is covered with ash after the eruption of the Fuego volcano at San Miguel Los Lotes in Escuintla, Guatemala, June 6, 2018. (Photo by Carlos Jasso/Reuters)
Weston Coppola Cage (born Weston Coppola on December 26, 1990) is the son of Nicolas Cage and Christina Fulton. Weston appeared in Cage's film Lord of War as Vladimir, a young Ukrainian mechanic who quickly disarms a Mil Mi-24 helicopter. He also appeared in the vampire film Raven in 2009 and was featured on the soundtrack for the film Drive Angry.
Weston is lead singer of black metal bands Eyes of Noctum and Arsh Anubis (With the moroccan bass player Soufiane Elyamouni "Apophis" n the Egyptian Guitar player Alhussain Sherif "Izund" ). He has also created a comic book with his father, Nicolas Cage, called Voodoo Child, which was published by Virgin Comics in 2007.
“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.
Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)