Daniela Haralambie of Romania competes during the qualification of the women's FIS Ski Jumping World Cup competition at the Gross-Titlis Schanze in Engelberg, Switzerland, Thursday, December 14, 2023. (Photo by Philipp Schmidli/Keystone via AP Photo)

A model wears a creation for the Elie Saab Spring-Summer 2022 Haute Couture fashion collection, in Paris, Wednesday, January 26, 2022. (Photo by Francois Mori/AP Photo)

Ukrainian artillery fires towards the frontline during heavy fighting amid Russia's attack on Ukraine, near Bakhmut, Ukraine on April 13, 2023. (Photo by Kai Pfaffenbach/Reuters)

Scarlett Johansson, Florence Pug, Rachel Weisz and David Harbour star in the action spy thriller “Black Widow”. Pictured: English actress Florence Pugh as Yelena. (Photo by Splash News and Pictures)

Fishmongers cut and clean fish at the Soumbedioune fish market in Dakar, Senegal, May 31, 2022. In Senegal, fish and seafood represent more than 40% of the animal protein intake in the diet. According to a U.S. report, one in six people work in the fisheries sector. (Photo by Grace Ekpu/AP Photo)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.