Belgium supporters pose before the World Cup quarterfinal soccer match between Argentina and Belgium at the Estadio Nacional in Brasilia, Brazil, Saturday, July 5, 2014. (Photo by Victor R. Caivano/AP Photo)

Italian artist Maurizio Cattelan poses with his creation “Him” (2001) prior to the opening of the exhibition “Not Afraid of Love” at the Hotel de la Monnaie in Paris, France, October 17, 2016. From October 21, 2016 to January 8, 2017, “Not Afraid of Love”, curated by Chiara Parisi, director of Cultural Programs, sets Maurizio Cattelan’s “comeback at work” in one of the most beautiful Palaces on the river Seine. (Photo by Philippe Wojazer/Reuters)

A mobile phone cover with a picture of Russian President Vladimir Putin and which reads “Mr President” is seen in this photo illustration taken a in hotel room in Kazan, Russia, July 30, 2015. He may be in charge of an economy in crisis, but if mobile phone covers and souvenir mugs are a barometer of popularity, Russian President Vladimir Putin need not fear for his political future. In fact, Moscow's annexation of Crimea from Ukraine last year has given the memorabilia makers even more material to glorify, sometimes wryly, a president whose image as a champion of Russian national interests in a hostile world is barely challenged in his own country. (Photo by Stefan Wermuth/Reuters)

A protester is sprayed with mace by riot police after throwing a chair through a window of a business during the second night of demonstrations after a not guilty verdict in the murder trial of former St. Louis police officer Jason Stockley, charged with the 2011 shooting of Anthony Lamar Smith, who was black, in St. Louis, Missouri, U.S., September 16, 2017. (Photo by Lawrence Bryant/Reuters)

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.