A fighter of Libyan forces allied with the U.N.-backed government runs for cover during a battle with Islamic State fighters in Sirte, Libya, July 31, 2016. (Photo by Goran Tomasevic/Reuters)

Afghan National Army (ANA) soldiers sit waiting to return their weapons after a day of traning at the Kabul Military Training Center (KMTC) October 3, 2010 in Kabul, Afghanistan. There are between 5,000 to 7,000 troops on the training facility in eight-week cycles trained by the coalition forces to ultimately take over the role of military operations in the country. (Photo by Paula Bronstein/Getty Images)

Taliban fighter, Mostashhed from Wardak province, looks on as he visits Kabul for the first time as hundreds of Taliban fighters take a day off to visit the amusement park at Kabul's Qargha reservoir, at the outskirts of Kabul, Afghanistan on October 8, 2021. (Photo by Jorge Silva/Reuters)

A Kurdish female fighter from the People's Protection Units (YPG) gestures as she carries her weapon near al-Hawl area where fighting between Islamic State fighters and fighters from Democratic Forces of Syria are taking place in south-eastern city of Hasaka, Syria November 10, 2015. (Photo by Rodi Said/Reuters)

A young Free Syrian Army fighter holds a rifle in Haresta neighbourhood of Damascus January 16, 2013. (Photo by Goran Tomasevic/Reuters)

Libyan rebel fighters protect a pro-Gaddafi loyalist fighter from angry onlookers as he is brought in for medical attention to the Tripoli Central Hospital on August 25, 2011 in Tripoli, Libya. Heavy fighting continues in the Libyan capital between Gaddafi's forces and the surging rebel presence. Rebels, who have issued a $1.7m reward for Gaddafi's capture “dead or alive”, are attempting to reach Colonel Gaddafi's hometown of Sirte but have met loyalist resistance. (Photo by Daniel Berehulak/Getty Images)

A Polish Air Force MIG-29 fighter (R) and an Italian Air Force Eurofighter Typhoon fighter patrol over the Baltics during a NATO air policing mission from Zokniai air base near Siauliai, Lithuania February 10, 2015. (Photo by Ints Kalnins/Reuters)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.