In spring sunsunshine the “Out of Sync” art installation is unveiled on a grass meadow at Somerset House on March 15, 2012 in London, England. Chilean artist Fernando Casasempere hand crafted the 10,000 clay flowers that dominate the Edmond J. Safra Fountain Court. The installation is open to the public at Somerset House from March 16th to April 27th 2012. (Photo by Peter Macdiarmid/Getty Images for Somerset House Trust)

People in traditional costumes prepare before competing in the 55th Verdiales music contest in Malaga, southern Spain December 28, 2016. Verdiales is a form of traditional Flamenco music, which is common in the province of Malaga. Members of singing groups, known as “pandas”, wear traditional costumes decked with flowers and other accessories as they perform in the contest, which is held annually on December 28. (Photo by Jon Nazca/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A village boy from Satla Village, Barishal swimmimg with water lilies in a canal near Barishal, Bangladesh on August 17, 2021. Every bright pink blooms is hand-picked and collected carefully by farmers to distribute in the local markets during a annual period. The flowers bloom during of the seasonal flood starting from August to November. (Photo by Mustasinur Rahman Alvi/Eyepix Group/Pacific Press/Rex Features/Shutterstock)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

A model presents a creation during the Biofashion show, which features designs made from plants, recycled and natural materials, in Cali, Colombia, November 19, 2016. BioFashion is an environmental initiative that seeks to create awareness about the preservation and management of natural resources where new designers develop dresses made with living plants, flowers and organic elements. (Photo by Jaime Saldarriaga/Reuters)

A follower of the Afro-Brazilian religion Umbanda pays tribute for Iemanja, goddess of the sea, in Copacabana Beach in Rio de Janeiro, Brazil December 29, 2017. Hundreds of practitioners of Brazil's Afro-Brazilian Candomble and Umbanda faiths have gathered at Rio de Janeiro's Copacabana beach to honor Yemanja. Worshippers were mostly dressed in white as they launched their offerings to Iemanja: small boats with flowers and bowls with candles and fruits. (Photo by Ricardo Moraes/Reuters)

A Tenggerese shaman praying for worshippers at Widodaren cave during the Tenggerese Hindu Yadnya Kasada festival on July 31, 2015 in Probolinggo, East Java, Indonesia. The festival is the main festival of the Tenggerese people and lasts about a month. On the fourteenth day, the Tenggerese make the journey to Mount Bromo to make offerings of rice, fruits, vegetables, flowers and livestock to the mountain gods by throwing them into the volcano's caldera. The origin of the festival lies in the 15th century when a princess named Roro Anteng started the principality of Tengger with her husband Joko Seger, and the childless couple asked the mountain Gods for help in bearing children. The legend says the Gods granted them 24 children but on the provision that the 25th must be tossed into the volcano in sacrifice. The 25th child, Kesuma, was finally sacrificed in this way after initial refusal, and the tradition of throwing sacrifices into the caldera to appease the mountain Gods continues today. (Photo by Ulet Ifansasti/Getty Images)