This aerial picture taken on June 29, 2024 shows fishing boats moored at a beach in Danang, central Vietnam. (Photo by Dale De La Rey/AFP Photo)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)

Mara Salvatrucha (MS) gang members show off their weapons in the Las Victorias district of San Salvador. In March 2012, the two largest gangs in El Salvador - the Mara Salvatrucha (MS) and the Barrio 18 (M18) - agreed on a truce following secret negotiations between gang leaders in prison which were mediated by a bishop and a former rebel leader. It is unclear whether the decision was the idea of the gangs themselves or whether they were encouraged by the government. (Photo by Adam Hinton)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

A sledding dog is covered in ice after spending the night in the open air with his musher at the polar base of Val-Cenis, as they ready for the next stage of the 12th edition of “La Grande Odyssee” sledding race across the Alps on January 17, 2016 in Val Cenis Lanslevillard. (Photo by Jean-Philippe Ksiazek/AFP Photo)

A woman looks at a handgun at the Glock booth at the Shooting Hunting and Outdoor Trade Show, Tuesday, January 19, 2016, in Las Vegas. The SHOT Show, the world's largest annual trade show for shooting, hunting and law enforcement professionals, runs through January 23 and is expected to feature 1,600 exhibitors showing off their latest products and services to more than 62,000 attendees. (Photo by John Locher/AP Photo)

A mannequin of the woman painted gold in the James Bond film “Goldfinger” is displayed during a press presentation of the exhibition “The Designing 007: Fifty Years of Bond Style” at the Grande Halle de la Villette in Paris, France, April 13, 2016. (Photo by Benoit Tessier/Reuters)