A woman reacts as she inspects damages at Al Shifa Hospital after Israeli forces withdrew from the hospital and the area around it following a two-week operation, amid the ongoing conflict between Israel and Hamas, in Gaza City on April 1, 2024. (Photo by Dawoud Abu Alkas/Reuters)

Workers in the first decade of June 2024 lacquering and organising parasols in neat lines to dry in the sunshine in Kampung Budaya Sindangbarang, West Java, so they will be preserved for longer. (Photo by Riza Amrullah/Solent News)

Alexis Tauaneai and Keele Browne of the St George Illawarra Dragons tackle Annessa Biddle of the Cronulla-Sutherland Sharks during a rugby league match at WIN Stadium in New South Wales, Australia on August 25, 2024. (Photo by James Gourley/AAP)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)

Elvish writing is seen on “Anduril”, a prop sword belonging to Aragorn, hero of “The Lord of the Rings” movie trilogy on July 31, 2014 in London, England. The sword, belonging to actor Sir Christopher Lee and estimated at $150,000-250,000, forms part of Bonhams “There's No Place Like Hollywood” movie memorabilia auction taking place in New York on November 24, 2014. (Photo by Peter Macdiarmid/Getty Images)

Injured horses huddle together in Oklahoma City on Monday. (Photo by Chris Landsberger/The Oklahoman)

A tourist poses for a picture with the Sphinx at the Pyramids of Giza in Cairo, Egypt, on October 19, 2011. (Reuters/Jamal Saidi)

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)