The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)

Pakistani street performers sit around fire waiting for customers on a chilly evening in Rawalpindi, Pakistan, Wednesday, February 10, 2016. (Photo by B.K. Bangash/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

Roland Miller is on a mission to document the deserted sites of America’s space race. He has photographed launch pads, bunkhouses and research facilities across the country, some of which no longer exist or are closed to the public on secure military bases. His book, “Abandoned in Place”, is published by the University of New Mexico Press in March. Here: Launch Pad and Gantry with Hermes A-1 Rocket – V2 Launch Complex 33, White Sands missile range, New Mexico in 2006. (Photo by Roland Miller)

People look at lighting artist Bruce Munro's latest installation “Field of Light” is seen in the grounds of the Holbourne Musuem on November 23, 2011 in Bath, England. (Photo by Matt Cardy/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.